859 Royalty-Free Audio Tracks for "Plays Music"

A short bit of music i made in garageband for a thing called victors crypt. It's some chords on a heavy organ doubled with bass-guitar. Strings are added and there's a cleaner organ playing in between. A lot of spookiness going on. I think it would work fine as an intro or something to a creepy pod or spooky youtube-channel for instance. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool and subscribe to and watch victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.

Music i made in garageband for something called victors crypt. You can use it to whatever if you like. It's a bit of a spanish touch i think. Played it on my acoustic guitar first and layed on some tracks with choir, drums etc. On it. A bit mysterious, spooky and could definately work as an intro for example. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance and hail satan!.

The Furiant from Bedřich Smetana's The Bartered Bride, played in an transcription by the U.S. Marine Band for the album Courtly Dances. Furiant z opery Sprzedana narzeczona Bedřicha Smetany w transkrypcji i wykonaniu orkiestry Korpusu Piechoty Morskiej Stanów Zjednoczonych (ang. U.S. Marine Band) z albumu Courtly Dances. Čeština: Furiant ze Smetanovy opery Prodaná nevěsta, nahraná v přepisu orchestrem U.S. Marine Band pro album Courtly Dances. Македонски: Танц од Продадената невеста на Беджих Сметана во изведба на оркестарот на Морската пешадија на САД.

A little bird started singing on a fence next to my window and i started imitating him with my stones of skiddaw midi player, added in an accompaniment. Couldn't find a use for it but maybe you can, no credit required but i'd love to see what you can do!. This is my own youtube: https://www. Youtube. Com/channel/ucgreiexzkwry5cn9f7jjr0a?view_as=subscriber. Let's exchange youtube/soundcloud info or collab! :).

a walk in the park (full of spooky sounds at 1 am) is a short piece of mysterious music i made in garageband for a thing called victors crypt. Did a melody i thought was pretty decent and had some drums back it up. Played around with various instruments like organ, piano, strings and synths in the melody. Could be perfect for an intro, outro, something spooky and cool, suspence, sci-fi, futuristic, mysterious or whatever you feel like. . . . Let the imagination run wild. Feel free to use it as you like as long as you subscribe to and watch my channel! if you wanna use it in your music and gonna release it, ask me first. Be cool watch and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.

Strega almost reproducing the organ at the royal albert hall (ha ha ha!). Just a sequence from 0-ctrl fed into rings, strega and karplus-strong (mu) of mimeophon. Octave lower reproduction using morphagene. Erbe-verbe adds depth. Outs to x-pan. Rendered @48khz 32bit with markers for all you morphagene fans out there. Enjoy! play it anywhere except at my funeral. . .

Saint-Saëns - Concerto pour piano n°5, op.103 - III. Molto allegro, interprété par Magda Tagliaferro, orchestre des concerts Lamoureux dirigé par Jean Fournet (1954). Saint-Saëns - Concerto pour piano n°5, op.103 - III. Molto allegro, played by Magda Tagliaferro, orchestre des concerts Lamoureux conducted by Jean Fournet (1954).

Jaroslav Jezek was born in Prague 1906 and studied at the Prague Conservatory, graduating in 1927. He studied music during the period of the new freedom with its' influence of American jazz and dance on Czech composers which can certainly be seen in Jezek's works. From '28-38, Jezek composed music for 20 plays and revues performed at the Liberated Theater where absurdities of the times-moral hypocrisy, the mistakes of democracies and the inanities of totalitarianism-especially of the Nazis, were humorously skewered. He composed waltzes, tangos, charlestons, rhumbas, and jazz for his admiring Czech audiences. During WWII he moved to New York, possibly because his past criticisms of the Nazi Party would have landed him in prison. He continued to compose there in 1939-41. He died in New York in 1942. The Bugatti Step was written to commemorate Czech racing car driver Eliska Junkova's 2nd place finish in a Swiss mountain race in '27 in her huge Bugatti touring car, seen at 2:08 in this vid. Thanks to former yt contributor KSPM who originally uploaded this music and introduced me to Jezek.

This sound was taken with zoom h4n recorder. Location: meylan, france, in the alps. The town is situated near a 300. 000 inhabitants city, in a valley surrounded by moutains. Description : rain is pouring louder and louder, rolling thunder strikes periodically, exploding like a gunshot or echoing from one moutain to another. (i'm afraid at one point, the sound of a music from a video game played by neighboors was recorded, but apart from these few seconds, this sound is cool ;))hope you'll find it helpful.

Title cheesy toy melody "Old Mc Donald" Artist stephan Original mp3 data Length:0:30 minutes (592.9 KB) Format:MP3 Stereo 44kHz 160Kbps (CBR) User tags awkward, Baby, cheap, cheesy, Melody, nerved, Nursery Rhyme, sing along, singing, squawking, toy Type Single Subject, Tone / Tune PDSounds record number 393 Comment :) Push a baby toys button and it plays this awkward sounding tune. Next time i try to capture it when the batteries are low. Even cheesier than.

A flötenuhr (also orgeluhr) is a precious mechanical clock, with a small organ is combined. Given time to hear music from a pen-driven roller. Flötenuhrbaues the heyday was the late 18th out century. Flute clocks were built for affluent, culturally sophisticated circles, educated people with appropriate art and music understanding. The finest pieces built in vienna and berlin. Easier flute watches were up to about 1850 in large quantities in the black produced. They played for entertainment in guest houses. Several well-known composers wrote works specially for this instrument, as george frideric handel, carl philipp emanuel bach, haydn, antonio salieri, wolfgang amadeus mozart or ludwig van beethoven. Flute watches with great restrictions than their recorded music era to consider it forced the composer to be exact instructions in execution ornamentation and tempo. The coupling of wind plant and roll can be traced back to minimum tempos and makes historical flute clocks so interesting for issues of historical performance practice. Recorded at "deutsches musikautomaten museum bruchsal"recording: tascam hd-p2 and beyerdynamic mce82;soundsystem: pro tools le.

Created by hainbach aka stefan paul goetsch, formatted for use in the make noise soundhack morphagene. "i call it noir, since it is has a vibe of film noir to it. I made this with scoring for picture or theatre in mind, recording piano, percussion, synths on a telefunken m15 and nagra iii and playing that back on half speed. All music is harmonically related, so it should not grind too much when switching apruptly. I left some space for new splices in the end, as i feel that makes it more playable. ". Https://www. Hainbachmusik. Com/.

A field recording i made in bruges, december 2013. While i was walking around the chapel at the béguinage, a nun started singing and practising the organ. It sounded beautiful but also quite spooky and ethereal. I'm afraid it's not the best quality as i had to improvise with the voice memo feature on my iphone. The recording has distant singing and other ambient noises, such as footsteps and whispering. The organ kicks in at 02:29. Please let me know if you make use of this.

maze (looking for the exit) is a short piece of mysterious music i made in garageband for a thing called victors crypt. I kept it basic and made a melody on synth. Played around with it with different sounds and added drums and bass. Just a simple little instrumental part that could fit a spooky 'n eerie project. Could be perfect for an intro, outro, something spooky and cool, suspence, sci-fi, futuristic, mysterious or whatever you feel like. . . . Let the imagination run wild. Feel free to use it as you like as long as you subscribe to and watch my channel! if you wanna use it in your music and gonna release it, ask me first. Be cool watch and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.

Recorded with my squier telecaster and squire mini-bass through the focusrite interface into reaper. A nod to kenny gioia for the reaper tips. The guitar was sent through the walrus slo pedal on 'dream' setting. Also added a pitch change to compliment some of the guitar parts. The bass was double tracked for better sound. Bass amp is a behringer bxl1800. Comments welcome. Bartolome calatayud was born in 1882 on the island of mallorca, received in 1899 the diploma of honor 1st class granted by the workers instructive center palma for his "superior musical knowledge in guitar playing". Although less famous in the classical guitar world, bartolome calatayud has left much enjoyable and exciting music written for classical guitarists of all abilities. He taught many pupils in majorca during his final years. He died in 1973 at the age of 91.

The Canadian national anthem, "O Canada", played by the United States Navy Band in the early 2000s. The song was originally commissioned by Lieutenant Governor of Quebec Théodore Robitaille for the Saint-Jean-Baptiste Day ceremony, 1880. The music was written by Calixa Lavallée as a setting of a French Canadian patriotic poem composed by Sir Adolphe-Basile Routhier. The lyrics were translated to English in 1906, Robert Stanley Weir wrote another English version in 1908, which were revised thrice before taking their current form in 2018. Was converted to Ogg format using Audacity (Originally uploaded on en.wikipedia).

In 's-hertogenbosch in holland we have carnival every year. This is a recording in the centre of the city. A recording of several 'dweilorkesten' that is a band that plays musing in the street. 'literal' translation is 'mop band or mopping band'. The go trough the streets like someone mopping the floor. This recording at the market-place is made with hundreds of people around. The ambience here is totally different from other places in the town and the world. It complete different than the south american carnival. Recorded: march 7th 2011, markt, 's-hertogenbosch, holland. Rode svm > sony pcm d50 recorder. Re-uploaded as public domain.

A bit of music i made in garageband for something called victors crypt. I came up with this melody played on keyboard with effects. Recorded som chords with delay on top of that to make it mysterious and spooky. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool, subscribe to and watch victors crypt:https://youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.

A tuned chau gong from my personal collection. I made these samples long ago and only did one take per gong. So, these sounds are a bit rough, but that should do well to suit the kinds of music that would use these gongs. I have tried loading single samples from this set (especially #4) across an entire keyboard, and playing that one sample as if it were the whole set, and that has worked out well. So, if one of the gongs crashes too much or decays too quickly for your liking, it should be trivial to replace that sound with another, pitch-shifted one.

Just discovered this recording i had from 2016, and thought i'd upload it to complement my other diner recording on here (https://freesound. Org/people/edlundart/sounds/501025/). This is 4 and a half minutes of background noise from a new york city diner, including people talking, clanging plates and glasses and forks and knives and cups being cleared away by staff. Crucially, no music is playing. This means you can either use this clean, or layer in your own rights-cleared music if you're using this in a film or whatever. Recorded in 2016 with an iphone — don't let the recording device scare you, it sounds pretty good and certainly fine for this kind of background noise. Use it in any way you like for any purpose. Warmly,bard edlund, edlundart. Com.

A walk through ridley road market in dalston, east london. Lots of people chatting and music playing. As with many markets in london there are lots of languages being spoken. You can hear traders calling out what they're selling. This recording was made using a sound devices mixpre6ii and a stereo pair of fel em172 mics. Low cut on the sd which in basic mode is 80hz (i think). There is some processing to this recording to ‘normalize’ the levels and light eq-ing. I do not require any credit or attribution. If any of these sounds have been of help, and you are feeling charitable, please do consider donating to freesound to help keep the site running (a link is also on the home page). Any donations are greatly appreciated!.

Down the slopes with famillies in a french ski ressort. Children are playing and laughing, adultes are talking, sledges are sliding on the snow. Some rare understable french words. Light faraway musical ambiance from a cafe. La clusaz, france, 2021 during covid-time (no ski lift). Recorded with a pair of clippy em172 in ab set up (40cm)recorded on sounddevice mixpre6stereo wave, 24 bits, 48khz. Part of the sound work "dur la neiz":https://soundcloud. Com/user-876924050/dur-la-neige.

The range of a Jew's harp as string harmonics:“By using the cavity of the mouth as a resonator, each harmonic in succession can be isolated and reinforced, giving the instrument the compass shown. The lower harmonics of the series cannot be obtained, owing to the limited capacity of the resonating cavity. The black notes on the stave show the scale which may be produced by using two harps, one tuned a fourth above the other.” This file plays harmonics 4, 5, 6, 7, 8, 9, 10, 11, and 12.

I had read that some bluegrass musicians tune their guitar strings to dadf#ad because it makes playing that style of music easier. But what does it sound like? this is the sound of each string being plucked and then an "open drop" strum, with no frets held down. It was synthesized using the program 'sox'. If you have a unix machine (gnu/linux, apple macos) with sox installed, you can recreate the sound by running these commands:. Sox -n pluck. Wav synth pluck d2 pluck a2 pluck d3 pluck f#3 pluck a3 pluck d4 \delay 0. 5 1 1. 5 2 2. 5 remix - fade h 0 5 1 norm -1. Sox -n strum. Wav synth pluck d2 pluck a2 pluck d3 pluck f#3 pluck a3 pluck d4 \delay 0. 05. 1. 15. 2. 25 remix - fade h 0 4. 1 norm -1. Sox pluck. Wav strum. Wav opendrop-bluegrass. Wav. Play opendrop-bluegrass. Wav.

This is a short wavefile of really bad drums and a crying baby. To be used properly, it needs to be turned way up. This sound has a story behind it - i made this up for one purpose, and one purpose only - to temporarily blast my long-term loud neighbors into realizing that 'they' are now the victims. They "were" relentless at playing loud music continuously, and it was a hot humid day,no air-con, and i had a lot of wine. That's all it took - so i blasted them(at an amazing close range)with 200+ watts of drums'n'babies, just long enough for them to figure out that this just might continue, and that it isn't a nice sound. Bottom line - the technique was highly effective.

The Fackeltanz No. 1 in B-flat by Giacomo Meyerbeer and scored for military band by Wilhelm Friedrich Wieprecht, played by the U.S. Marine Band for the album Courtly Dances. Эрзянь: Fackeltanz 1-це No. си-бемольсэ Джакомо Мейербер эйстэ, кона ульнесь сёрмадызе Вильгельм Фридрих Випрехтих. Ды сонзэ налксизе Courtly Dances Американь иневедень седямопурнавксось. Fackeltanz Nr 1 B-dur Giacomo Meyerbeera w aranżacji Wilhelma Friedricha Wieprechta na orkiestrę wojskową i wykonaniu Orkiestry Korpusu Piechoty Morskiej Stanów Zjednoczonych pochodzącym z albumu Courtly Dances.

Street noises recorded while walking through the most touristy area of montmartre, in paris, france. Streets visited include rue des saules, rue norvins, rue du mont cenis, rue du chevalier de la barre, rue du cardinal guibert, rue azais, rue saint eleuthere, in that order. Highlights include:. 00:00-00:30-> walking south along the relatively quiet saules ("willow") street in montmartre; footsteps and squeaking boots. 00:42-01:02-> street-cleaning truck passing on the same street. 01:02-01:30-> piano playing inside a restaurant on norvins street. 01:30-01:36-> rock music in some other shop. 01:44-01:46-> kids running past. 01:56-01:58-> barely audible music somewhere, under heavy crowd sounds. 01:56-02:59-> crowd noises, clinking silverware and plates in the restuarants i'm passing, increasingly heavy crowd. 03:00-03:21-> passing van, followed by another bus. 03:21-04:06-> ill-behaved young males ruining my take with strange ape-like cries. 04:06-04:17-> i think this was a passing taxi. 04:20-05:08-> someone playing a steel drum on the ground in mont cenis street. 04:43-------> someone closing a gate, i think. 05:16-05:18-> american tourist exclaiming at close range in chevalier de la barre street. 05:53-06:18-> street portrait artists talking and joking with each other. 06:30-07:25-> someone playing the harp on cardinal guibert street next to the basilica, partially drowned out by a passing car. 07:25-08:23-> someone singing on the steps in front of sacré-coeur. He had a powerful but distorted amplifier--the bad sound quality was like that in real life. I turned around in front of the basilica on this dead-end street and that's why the music switches sides. 08:23-08:40-> yes, that's a chainsaw. The city was trimming some large trees. 09:33-09:47-> more chainsaw noise as i walked past the workers on azais street. 10:00-11:00-> increasing crowd noise as i walk back north to the busiest part of montmartre along saint eleuthere street. Recorded with a hand-held h4n at 96 khz / 24-bits, stereo, compressed into 160 kbps / 44. 1 khz / 16 bits mp3. Recording date march 16, 2012, in the early afternoon.

Http://i. Imgur. Com/2vmzp1i. Jpg. Recorded on the east side of south wabash avenue close to the intersection of wabash and east harrison street, in the south loop area of chicago, on 7/20/2013. After recording trains crossing the adjacent tracks i turned the microphones southwest towards the intersection of harrison and wabash. Traffic was heavy and drivers were frequently blowing their horns at each other. A couple of vehicles playing loud music stop at the light. Time of recording was 5:57pm. Weather was warm, in the 80s. Recording details: 2 audio technica at4022s in rycote windshields > sound devices 302 mixer > tascam dr-40 recorder.

This is a simple sequence with chords - emaj, d#m and c#maj where i played on my midi keyboard "novation lanchkey mini" with using arturia vintage collection vst plugin - yamaha dx7, type - electronic organ and adding delay effect and reverberation. Sound like synth-wave or retro-wave stile, moderato, quietly and gently. Lounge. You can be using it for your needs, podcasts, samples, different projects, or just like alarm sound on your phone. Enjoy. Temp - 123 bpm.

Improv by Marco Kalnenek. Marco Kalnenek [*1969] is a musician from Heerlen, the Netherlands. Kalnenek started playing the piano at age 9. His first band Foolish Behaviour was formed around 1982, when he started jamming and recording tapes with assorted friends. Hundreds of hours of music and other noises were recorded in the 12 years that followed. A few cassettes and cd-r’s were privately released and various tracks turned up on compilations, most notably on Comfort Stand Recordings and blocSonic. In the meantime Kalnenek started his own label, WM Recordings, in 2004. After years of relative inactivity Marco Kalnenek’s first official EP “If Not For” finally appeared in May 2013.

ElectricShockingKrautRockingMinimalMachine by Marco Kalnenek. Marco Kalnenek [*1969] is a musician from Heerlen, the Netherlands. Kalnenek started playing the piano at age 9. His first band Foolish Behaviour was formed around 1982, when he started jamming and recording tapes with assorted friends. Hundreds of hours of music and other noises were recorded in the 12 years that followed. A few cassettes and cd-r’s were privately released and various tracks turned up on compilations, most notably on Comfort Stand Recordings and blocSonic. In the meantime Kalnenek started his own label, WM Recordings, in 2004. After years of relative inactivity Marco Kalnenek’s first official EP “If Not For” finally appeared in May 2013.

Ambience. Mixtures of sounds from a distant rave party about 800 mts away on a valley (more than 1 dj playing at the same time). City night around 5 am. Some early birds. Volume goes up and down according to wind's direction. Recorded during "queima das fitas", coimbra, portugal. I have similar sounds with different beats, look in my profile. Note: music on the recording could be subject to copyright, use it at your own responsibility. Recorded with zoom h4n-pro 48 khz / 24 bit.

Este es el sonido de un tambor tocado en la parranda, género musical venezolano. Este instrumento está fabricado de madera y cuero. Lo grabamos como parte de una entrevista realizada a rafael rondón, director del grupo "el valle". Se realizó una grabación simple con un celular sony y luego se editó con audacity, se ecualizó y normalizó. Ver la entrevista a rafael rondón en https://musicaqueatta. Blogspot. Com/search/label/gente%20que%20hace%20m%c3%basica. "this is the sound of a drum played on the parranda, a venezuelan musical genre. This instrument is made of wood and leather. We recorded it as part of an interview with rafael rondón, director of the group "el valle". A simple recording was made with a sony cell phone and then it was edited with audacity, it was equalized and normalized. " see the interview with rafael rondón in https://musicaqueatta. Blogspot. Com/search/label/gente%20que%20hace%20m%c3%basica.

As of this recording, i am the official town troubadour of manchester, ct, usa. I am just putting the finishing touches on an album collecting the various songs i have written for the town in this role. One of the songs mentions the church bells that ring out every day in at the top of the hill in town, so i thought it would be nice to open that song with a field recording of the bells. Every day at noon, center congregational church in manchester, ct, usa plays a full 10 minutes of music. This is a recording of the full 10 minutes as played on december 4th, 2022 - recorded with a zoom h1n, fades added in audacity. It was quite windy and despite my wind sock, there is the occasional audible gust. I was set away from direct traffic sound, but there is ambient traffic sound. There was also a church maintenance truck that slowly drove past me midway through the recording (probably curious at the strange person with the tripod recorder and headphones). I have not attempted to identify the songs in this recording. But if you recognize any, please let me know!.

Ambience. Mixtures of sounds from a distant rave party about 800 mts away on a valley (more than 1 dj playing at the same time). City night around 4:30am. Some early birds. Volume goes up and down according to wind's direction. Recorded during "queima das fitas", coimbra, portugal. I have similar sounds with different beats, look in my profile. Note: music on the recording could be subject to copyright, use it at your own responsibility. Recorded with zoom h4n-pro 48 khz / 24 bit.

Minimalism-ism by Marco Kalnenek. Marco Kalnenek [*1969] is a musician from Heerlen, the Netherlands. Kalnenek started playing the piano at age 9. His first band Foolish Behaviour was formed around 1982, when he started jamming and recording tapes with assorted friends. Hundreds of hours of music and other noises were recorded in the 12 years that followed. A few cassettes and cd-r’s were privately released and various tracks turned up on compilations, most notably on Comfort Stand Recordings and blocSonic. In the meantime Kalnenek started his own label, WM Recordings, in 2004. After years of relative inactivity Marco Kalnenek’s first official EP “If Not For” finally appeared in May 2013.

Sample of a busker playing the accordion in a pamplona side-street in 1985. Recorded with a sony walkman using the in-built mics. Some background talking. Recorded onto tdk d90 cassette and stored since then in damp cellars, sheds, and long forgotten drawers. Just today transferred to digital using my fathers old decca legato tape player which we purchased in the early 70s to enable us to send messages to my uncle who had emigrated to australia. Dad says the player cost over £30 then which was more than a weeks wages at the time. I was inter-railing around europe at the time but the recording seems to stop in pamplona. Six weeks later all my money and passport was stolen while in crete and i made my way home via the british consulate in athens.

This is the end of a song (just the last crash and the last guitar note). It was recorded inside a medium size room where we were playing. This sound was produced by my friends and i, so it does not belong to any commercial recording. This sound is original content. Este sonido es el final de una canción (el crash de la batería y una nota sostenida por la guitarra). Fue grabado en una sala de tamaño medio por mis amigos y yo, de modo que no pertenece a ninguna grabación comercial. Es contenido original.

Ambience. Mixtures of sounds from a distant rave party about 800 mts away on a valley (more than 1 dj playing at the same time). City night around 1 am. Some early birds. Volume goes up and down according to wind's direction. Recorded during "queima das fitas", coimbra, portugal. I have similar sounds with different beats, look in my profile. Note: music on the recording could be subject to copyright, use it at your own responsibility. Recorded with zoom h4n-pro 48 khz / 24 bit.

Ambience. Mixtures of sounds from a distant rave party about 800 mts away on a valley (more than 1 dj playing at the same time). City night around 5 am. Some early birds. Volume goes up and down according to wind's direction. Recorded during "queima das fitas", coimbra, portugal. I have similar sounds with different beats, look in my profile. Note: music on the recording could be subject to copyright, use it at your own responsibility. Recorded with zoom h4n-pro 48 khz / 24 bit.

Session 1, find more koto in this sound pack. The recorder wasn't optimally placed in the session 1 recording, so sometimes you might hear some low impact noises transitioning through the table to the recorder. Some eq (low cut) should be able to fix this. We went to my friend's father to record a koto, a traditional japanese zither-like (table harp) instrument, consisting of a large wooden base with long strings for plucking. The strings are tuned in the japanese pentatonic scale, allowing a mystic, mysterious, beautiful harmony. It was my first time ever playing this instrument, so don't expect wonders lol. But i tried to "feel" the instrument as well as i could, working from my limited keyboard and guitar playing skills. I improvised simple patterns, and also tried to work with call and response ideas, and bass notes, plucking the low strings with my fingers, and then plucking the high ones with a pick. Happy listening, chopping, and remixing!. In kashiwa, chiba, east of tokyo. Mid october 2016. Zoom h2n stereo ms recording in 96khz, 24bit.

Mashing up two sounds that i found on free sound. Com. They are sounds of two different type of music instruments. Here are the original pieces:. 1. Erhu at luxun park in shanghai by taurin barreraa recording from luxun park in shanghai, china. An old man is playing an erhu by the edge of a pond. You can hear the amplified erhu as well as some of the park. Recorded with an edirol r-09 hr in shanghai, china, spring 2011. Http://www. Freesound. Org/people/taurindb/sounds/136051/. 2. Africa pavilion drum jam by rtb45recording of a rather hot impromptu african drum jam made at the africa pavillion, world expo, shanghai china. Recording with sony pcm-d50http://www. Freesound. Org/people/rtb45/sounds/160489/.

This is a recording of an escalator at the main bus station in helsinki, finland. I heard it making this sound one day. It was quite loud in the space and i heard if from far away. It sounded like a street performer playing an odd instrument. I imagined that a drummer would have had fun jamming along with this. I missed the opportunity to record it that week, but luckily the thing wasn't fixed the next week when i was again at the same place. This was recorded with iphone xr, so it's not super quality (i actually took a video really close to the escalator, hoping the video recording gives the best sound), but maybe somebody finds some use for this (the sound can likely be well isolated). This is as unprocessed as it can be, straight from the original video.

I played arbitrary co-soundings on the mystic scale (it becomes mystic arabian if you mimic arabian music; otherwise is sounds european). I applied 300 hz steep low pass (eq) on an inverse sawtooth soundwave generator. I applied many delay effects in tandem. Created on fruity loops and re-equed on wavelab. Mystic(has three submodes, scale-shifts [same intervals, overall shifted]). • do, re#, mi, sol, sol#, si• do, do#, mi, fa, sol#, la• do#, re, fa, fa# la, la#. (semitonally/fret steps: 0, +1, +3, +1, +3, +1, +3). (si = ti, do = c). It is chordable.

Did this all my self and got some of the sounds off freesound and free to use the sounds off free sounds some of my own. Hope u like and u can have it and done on ableton live on pc and it did not take long and ive got aspergers as well have a nice day :d and i'm making a game as well its about fate about history and this time i use cryengine game software and its safe download and free u can make ps4 pc and xboxone game and play on xboxone ps4 and pc look on google its free trust me got it on pc now lots of people use it :d https://www. Cryengine. Com/.

Forward with NOAA the NOAA Corps Song The "NOAA Corps Song" is actually entitled "Forward with NOAA." In 1987-88 the National Association of Commissioned Officers (ACO) was interested in commissioning a NOAA Song. Captain (then Commander) Steve Manzo was a member of the ACO Executive Board and volunteered to assist. Manzo contacted a long-time friend, Bob Arberg. Bob's father, Bud Arberg, had actually written the music and words to the "Army Song" -- while assigned to the Adjutant General's Staff during World War II. Dr. Arberg (former Princeton graduate in music) was retired and he readily volunteered to write a song. Dr. Arberg was provided reference materials on the NOAA Corps. He recognized at the outset that this was an attempt to build NOAA Corps morale and he cautioned that buy-in/acceptance within the Corps would not be easy. The song was first presented at a National ACO Dining-In in either 1988 or 89. Secretary of Commerce William Verity was present, as were both Bud and Bob Arberg. Bud Arberg played the piano and performed the "NOAA Song" to the assembled group of 150 officers and guests. Upon completing the NOAA Song, Secretary Verity graciously presented Dr. Arberg with a small gift of thanks on behalf of DOC/NOAA/NOAA Corps. The music was arranged by the USAF Band. The words are as follows: Forward with NOAA With the Corps that's got it all Science and Service We are always there to meet the call We survey the oceans And we track storms in the air Forward with NOAA We're the NOAA Corps, we're always there -- Musical Interlude then Repeat -- Forward with NOAA With the Corps that's got it all Science and Service We are always there to meet the call We survey the oceans And we track storms in the air Forward with NOAA We're the NOAA Corps, we're always there

In front of my desk in my room is a wood paneled wall with a cubbie. It's about a foot wide, 10 inches from top to bottom and maybe 7 inches deep. I'm just guessing. Around this cubbie is a border of wood. In the bottom right corner under the border i have jammed one end of an elastic string that used to have glitter on it. It's from a christmas box of chocolates my uncle sent me last year. I stand in front of this cubbie whose bottom is at chin height, (i'm only 5ft1in) so my arms are above my head as i pull this string across the cubbie to the border on the left which acts as my only fret. The string is a few inches longer than the cubbie is wide, but when i pull it it gets longer so my hand is 3/4 along it's length as i pull back and forth across the border to tighten and loosen the string. No matter how hard i pull it never pops loose from it's mooring. The recording starts with me standing up from my chair. In the first part until 01:54 i am playing the string at maybe 30° from horizontal. It has a buzzy quality that reminds me of an african folk instrument i can't remember the name of. From 01:33 to 01:54 i'm trying to imitate a korean folk vibrato kind of thing. In the second part until 02:29 i am playing 45 to 60° from horizontal and it sounds like a full-bodied string bass with no buzz. In the last part beginning at 02:34 i am playing about 75° from horizontal across the top border of the cubbie on the left so it sounds buzzy and african again, and i'm just going crazy goofing around with a crazy bluesy rock sort of rhythm. There didn't seem to be any homemade 1-stringed wall-cubbie basses on this site so here is mine, have fun. I don't play it if mom is home because the living room is on the other side of the wall and she can't hear tv. Also my neighbor can probably hear it in the next apartment lol. Recorded with microsoft lifecam 3000.

Amicus No.: 31386781 Performer Heading: Price, Percival, 1901-1985 Performer: Percival Price, carillonneur Title: O Canada ; God save the King [sound recording] / [Calixa Lavallée] Composer Heading: Lavallée, Calixa Generic Label: Victor Transcribed Label: Victor Numbers: Issue no.: 216504 Take no.: 1 Side no.: A Notes: Distributor: Victor Talking Machine Co., Montreal Manufacturer: Victor Talking Machine Co., Québec (Province) Recorded: 1 Jul 1927, Ottawa, ON, Victor Talking Machine Released: [Sep 1927] Issue Type: primary label Comments: Additional information/information additionnelle: Actual moments during playing of Carillon Bells, Victory Tower, Ottawa, July 1, 1927 ; Music for "God save the King" is probably traditional. Discographical reference: disc; Numerical List of "His Master's Voice" - Victor recordings 1929, release date Physical Description: 1 sound disc : 78 rpm, monaural ; 10 inch Genre: Anthems ; Patriotic songs; National anthems; Chansons patriotiques; Hymnes nationaux, Canada Location: 0016 2083 2086 Web location: http://amicus.collectionscanada.ca/gramophone-bin/Main/ItemDisplay?l=0&l_ef_l=-1&v=1&lvl=1&coll=24&itm=31386781

This is not a complete composition. This is a loop i created for people who play d&d or any rpg or game thats similar. It will loop perfectly. It is not diverse enough in composition to be considered a finished track, nor is it dynamic enough to be a finished song, it is a 3 min 30 seconds loop with the midi used on 2 different synths so it doesn't get more boring than it already is. This is not a complete composition. It's a loop. Meant to be looped. I used 2 sounds, the tiger roar and thunder from two other users. They described it is okay to do so in their description. Https://freesound. Org/people/noisenoir/sounds/238302/https://freesound. Org/people/videog/sounds/149190/. Here are the links to the other sounds used here. I created everything else. (note: it's not a complete song, just a loop, variations of the same loop, and it's meant to be looped).

A groovy & sinister tunei made in garageband for something called victors crypt!. I couldn't sleep so i was playing around with a drumbeat. I kinda liked it so i added staccatto string-chords along with a bass in the same notes. Things start growing and ended up something groovy with a spooky touch. Could be useful in anything dark, eerie, spooky, creepy, scary, horrific,mysterious, crime-ish, thrilling or whatever comes to mind. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool, watch and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.